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Play-along Lead Sheet
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Sample pages may appear faded, cropped, or partially obscured. Downloaded copies do not include these imperfections and are the most up-to-date versions.
With more than one way to play any chord, chord diagrams are not shown with most charts – only the chord name is shown.
For players that already know several voicings for any chord, just play what you already now. For players that don't know a particular chord, there are example chords to play each song available by selecting the "Chords" tab above.
Use these songs to explore a variety of ways to play chords for any particular song.
Blue Bossa is an instrumental jazz composition by Kenny Dorham (August 30, 1924 – December 5, 1972). It was introduced on Joe Henderson's 1963 album Page One. A blend of hard bop and bossa nova, the tune was possibly influenced by Dorham's visit to the Rio de Janeiro Jazz Festival in 1961. The tune has since been recorded numerous times by different artists, making it a jazz standard.
Blue Bossa is typically one of the first “jazz” songs that a musician uses when learning to improvise and developing a jazz vocabulary and repertoire. It's in the key of C minor for the first half and modulates up a half step to Db major for the second part. Using only two scales you can solo over the changes to Blue Bossa. One of the reasons is a great introduction and song to get into jazz improvisation.
C Aeolian aka C Natural Minor (C D Eb F G Ab Bb C') for the Cm and Fm ( I and IV of Cm). C Harmonic Minor (C D Eb F G Ab B C') is the traditional scale used for the Dm7b5 and G7 (II V of Cm). An alternate and more contemporary scale is the Locrian scale. The D Locrian (D Eb F G Ab Bb C D) can be used for the Dm7b5 and G7. You might notice that the D Locrian contains the same notes as C Aeolian, so one scale can be used over the entire Cm section. When I'm soloing I might address the B chord tone in the G7 chord when over that chord. For this just add the B to the D Locrian (D Eb F G Ab Bb B C')
Over the II V I in the Db major section the Db Major (Db Eb F Gb Ab Bb C Db') scale works over all three chords.
So the two scale are/can be:
Additional scale positions and fingerings for the Aeolian and Ionian scales can be found in my QuickStart series of Scale and Arpeggio fingering books.
Modulates between the home minor key and the major key up a minor second.
Here is how I remember it.
Starting on the I minor chord (Cm7), then up a perfect fourth to Fm7, the IV of Cm. Resolve back the I chord, (Cm7) with a II V (Dm7b5 G7). From Cm7, up a minor third to the II, V, I in Db major, Ebm7, Ab7, and Dbmaj7, Up a half step and II V (Dm7b5 G7) back home to the I chord,Cm7. Start all over with a turnback (II V in Cm)
There are many possible ways to play a song such as Blue Bossa. Here is one way to play the changes of Blue Bossa.
Two voicings for Dbmaj7 are shown, the first voicing works great in the C tuning with a low "G". For C tuning with a high "G" both voicings are identical.
click on any chord for larger view
A minor seven flat five (m7♭5) or half-diminished chord is a diminished chord type. Playing a diminished triad or diminished seven substitute doesn't really sound all that great. You're better off just learning a new chord and add it to your chord vocabulary. This type of chord shows up all the time in jazz standards and the Great American Songbook.
For songs with more advanced chords like major sevenths, ninths, elevenths, thirteenths, etc. Basic chords that you might already know can be played.
Chords fall into four basic types: major, minor, diminished and augmented. Even the above mentions advanced chords fall into one of these three basic chord types.
Here is a simplified substitution list to follow:
One basic principle to follow when substituting chords is – if these is a sharp or flat five (5) in the chord you don't want to substutite a chord with a natural fifth in it.
Other substitutions are possible but beyond the scope of presenting this song.
Fingerings are not shown. Any fingering would only be a recommended fingering and not mandatory. For many chords there are alternate fingerings, with any particular fingering dependent how the chord is being used in relationship to its previous chord and the next chord.
A guide to reading a `ukulele chord diagram is available right here on my site.
As a “jazz” standard Blue Bossa uses 4-part contemporary, a.k.a "jazz" chords. Using a wider range of chords than your typical rock, pop or folk song. You'll definitely need to venture beyond the third fret of your instrument to play this arrangement.
When venturing into solo ukulele and “jazz” chords, a core set of chords and a solid foundation on how chords are constructed are needed to be successful in this style of music.
Core Jazz Chords for Ukulele - The “Big Six”. A series of ukulele lessons for developing a core set of 4-part contemporary chords.
How I Learned these “Jazz” Chords... Learning these more advanced chords doesn't take some mythical secret knowledge. All it takes is knowing how chords are created - where they come from. I learned them over many years. Using the information I ultimately put down in my book A Guide to Advanced Chords for Ukulele. Study how to make any chord you will ever need to play using the tried and true chord formulas that the pros use. They're all in this book.
Lesson Code: UL42
Published: 2005-01-02
Updated: 2011-09-21
Core Chords is a series of lessons for building your 4-part chords. These chords commonly called jazz chords, are really just 4-part chords used in a wide range of musical styles.
The Big Six chords include: Seventh 7, Major Seventh maj7, Minor Seventh m7, Half Diminished Seventh or Minor Seven Flat Five diminished 7 (m7b5), Diminished Seventh o7 and Augmented Seventh +7. These six chords form a core set of chords.
click on below link for complete lesson.
A Guide to Advanced Ukulele Chords - VOLUME I Commonly referred to as "jazz" chords. A Guide to Advanced Ukulele Chords Volume I provides detailed information on voicing 4-part chords.
Beyond learning the basic Ukulele chords, most Ukulele players struggle with advanced chords. Commonly called "jazz" chords, these more sophisticated voicings find a wide use in all forms of music.
This volume of A Guide to Advanced Ukulele Chords presents a highly organized and efficient approach to the mysterious subject of advanced chords. Chord dictionaries are not the answer. Even chord theory does not offer any insight into unraveling the complexity of advanced chords.
NEW 2nd Edition includes example chord progressions based on standard chord progressions and songs.
Tunings: C low or high “G” - (GCEA or gCEA).
For more information and samples checkout the A Guide to Advanced Ukulele Chords book information.
The Blue Bossa play-along track is available for FREE download to all private and paid online students as well as paid site members.
Login to your personal Student Assets & Resources page or signup for private lessons to get access to this and other play-alongs tracks.
Here's an example of using the Wave backing track where I recorded the melody with Guitar. All backing tracks are only the background tracks, no melody.
Here is my take on this jazz standard. A fun and easy song to learn and memorize. A lot of possibilities.
Blue Bossa is an instrumental jazz composition by Kenny Dorham (August 30, 1924 – December 5, 1972). It was introduced on Joe Henderson's 1963 album Page One. A blend of hard bop and bossa nova, the tune was possibly influenced by Dorham's visit to the Rio de Janeiro Jazz Festival in 1961. The tune has since been recorded numerous times by different artists, making it a jazz standard.
Blue Bossa is typically one of the first “jazz” songs that a musician uses when learning to improvise and developing a jazz vocabulary and repertoire. It's in the key of C minor for the first half and modulates up a half step to Db major for the second part. Using only two scales you can solo over the changes to Blue Bossa. One of the reasons is a great introduction and song to get into jazz improvisation.
C Aeolian aka C Natural Minor (C D Eb F G Ab Bb C') for the Cm and Fm ( I and IV of Cm). C Harmonic Minor (C D Eb F G Ab B C') is the traditional scale used for the Dm7b5 and G7 (II V of Cm). An alternate and more contemporary scale is the Locrian scale. The D Locrian (D Eb F G Ab Bb C D) can be used for the Dm7b5 and G7. You might notice that the D Locrian contains the same notes as C Aeolian, so one scale can be used over the entire Cm section. When I'm soloing I might address the B chord tone in the G7 chord when over that chord. For this just add the B to the D Locrian (D Eb F G Ab Bb B C')
Over the II V I in the Db major section the Db Major (Db Eb F Gb Ab Bb C Db') scale works over all three chords.
So the two scale are/can be:
Additional scale positions and fingerings for the Aeolian and Ionian scales can be found in my QuickStart series of Scale and Arpeggio fingering books.
Download a FREE Printable PDF lesson file
Each lesson file is a high resolution, formated lesson that prints out great.
Melody & Chord Arrangement, C Tuning, Low G
FILE: UL430u-blue_bossa.pdf
FILE SIZE: 85.39 K
click on file link to download
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Modulates between the home minor key and the major key up a minor second.
Here is how I remember it.
Starting on the I minor chord (Cm7), then up a perfect fourth to Fm7, the IV of Cm. Resolve back the I chord, (Cm7) with a II V (Dm7b5 G7). From Cm7, up a minor third to the II, V, I in Db major, Ebm7, Ab7, and Dbmaj7, Up a half step and II V (Dm7b5 G7) back home to the I chord,Cm7. Start all over with a turnback (II V in Cm)
A Guide to Advanced Ukulele Chords - VOLUME I Commonly referred to as "jazz" chords. A Guide to Advanced Ukulele Chords Volume I provides detailed information on voicing 4-part chords.
Beyond learning the basic Ukulele chords, most Ukulele players struggle with advanced chords. Commonly called "jazz" chords, these more sophisticated voicings find a wide use in all forms of music.
This volume of A Guide to Advanced Ukulele Chords presents a highly organized and efficient approach to the mysterious subject of advanced chords. Chord dictionaries are not the answer. Even chord theory does not offer any insight into unraveling the complexity of advanced chords.
NEW 2nd Edition includes example chord progressions based on standard chord progressions and songs.
Tunings: C low or high “G” - (GCEA or gCEA).
For more information and samples checkout the A Guide to Advanced Ukulele Chords book information.
"Blue Bossa" is an instrumental jazz composition by Kenny Dorham. It was introduced on Joe Henderson's 1963 album Page One. A blend of hard bop and bossa nova, the tune was possibly influenced by Dorham's visit to the Rio de Janeiro Jazz Festival in 1961. The tune has since been recorded numerous times by different artists, making it a jazz standard.
McKinley Howard (Kenny) Dorham (August 30, 1924 – December 5, 1972) was an American jazz trumpeter, singer, and composer born in Fairfield, Texas. Dorham's talent is frequently lauded by critics and other musicians, but he never received the kind of attention from the jazz establishment that many of his peers did. For this reason, his name has become (in the words of writer Gary Giddins) "virtually synonymous with underrated." He also composed the jazz standard "Blue Bossa," which first appeared on Joe Henderson's album Page One.
The ability to play the melody, accompaniment chords and solo are technical skills that allow to play and enjoy these play-along tracks and charts.
The melody is shown on the chart or readily available in fake books and song books. You might even be able to play them by ear. Knowing how to read and the location of the notes on the guitar or ukulele fingerboard is what is needed for this.
Fake Books at Sheet Music Plus. Improvise and jam with our great fake book selection - all styles, all keys, lots of artists. Go now!
A Fake books like the Real Book are a great way to get the chords, melody and lyrics of a song without any arrangement. Hence the name “Fake” book - you need to fake and arrangement.
You'll need a copy of Adobe®: Acrobat® reader (version 3.0 or higher) to view or print the PDF file. If you don't already have a copy, or if you have an older version, you can get the latest reader for free from Adobe.
Lessons, TABS and Songs are intended FOR EDUCATIONAL PURPOSES ONLY
Portions of copy regarding particular songs is from WidipediA, the free encyclopedia that anyone can edit.
Hard Copy Book: $12.95
PDF Download: $4.95
Exploring Jazz Chords takes the core chords from A Guide to Advanced Chords for Ukulele and shows their use over a variety of common chord progressions based on songs from the standard jazz repertoire.
Building a Solid Jazz Chord Foundation using Seventh, Major Seventh, Major 6, Minor Seventh, Minor Sixth, Diminished Seventh, Minor Seventh Flat Five and Augmented Seventh chords.
Songs include: All of Me, All of Me - Variation, Autumn Leaves, All the Things You Are, Days of Wine and Roses, There Will Never Be Another You, Back Home In Indiana, Someday My Prince Will Come, Have You Met Miss Jones, Summer Samba, Sweet Georgia Brown, Sweet Georgia Brown - Variation, Yesterday, and It’s Only A Paper Moon
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Content is always being added and updated. So check-in often. Thanks, Curt
P.S. You may think from the look of it that Curt Sheller Publications is a slick, profitable business, but it's actually not (maybe a car payment a month, cheap car). I spend a lot and time money creating the content, lessons and books for this site (a labor of love), so if you dig my content and want to see more of it. I could use your help by spreading the word and maybe buying a book or two if you haven't already, to help defray the cost of running the site. Thanks in advance for your help. This is a labor of love and I'd do it even if I didn't make a lot of money, hey I don't!
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UL430_BLUE_BOSSA.PHP | Updated: Friday, 30th March, 2012 @ 04:33pm